Cowboys and Aliens (Daniel Craig, Olivia Wilde, Harrison Ford)


Westerns seem to be the popular genre to make these days. Reinventions, retellings and reboots have all had filmmakers trying to bring new life into the most popular cinema genre from American history. Great stars have been born from the Western, such as John Wayne and Clint Eastwood and the aim of the movie industry is to once again capture lightning in a bottle. Recently the huge success of the classic Western remake, True Grit, gave Jeff Bridges his second Oscar nomination in a row after winning last year for Crazy Heart and Quentin Tarantino is preparing to make his own Western for the film loving audiences that go to see his movies, called Django Unchained. However Tarantino and the Coen Brothers are not the only ones looking to breathe new life into the genre. Steven Spielberg, no less has had his eye on a little project that he hoped to have given the Western genre a new spin, by adding aliens.

As well as Spielberg getting an executive producer credit, Ron Howard is on board as producer and Jon Favreau (Iron Man, Iron Man 2) is directing. Three big names on such a project would bring a lot of curiosity to a film-loving audience and many who are interested in both the Western and Science-Fiction genre so surely this production is onto a winner.

Cowboys and Aliens is about, well, cowboys and aliens. Jake Lonergan (Daniel Craig; forthcoming projects The Adventures of Tintin: The Secret of The Unicorn and the US remake of The Girl With The Dragon Tattoo) wakes up with no memory of what has happened to him. All he has are little flashes of strange, cryptic pieces and a metal wristband that he cannot remove. After an impressive fight scene, showing his prowess as a man, Jake wanders into the nearest town and observes his surroundings. After setting up the scene; the old time preacher with a steady aim and a steady hand (Clancy Brown; best known for his roles in Starship Troopers and Highlander), the innkeeper, Doc (Sam Rockwell; Iron Man 2, Conviction) with the beautiful wife (Ana de la Reguera; Cop Out, Nacho Libre) and the local villain (Harrison Ford; Morning Glory, Extraordinary Measures) with the wayward son (Paul Dano; Knight and Day, Taking Woodstock), the story changes pace somewhat when the small Western town is attacked, by the aforementioned aliens.

The search then commences as various members of the town are kidnapped and an unlikely posse are put together.

The unique selling point of the movie, besides the mash-up of genres is its two major stars; Daniel Craig and Harrison Ford. One being the latest action movie star who brings in fans from small boys to grown women and is a box office winner, and the other is a long time veteran of the action family adventure movie and will bring in the movie buffs as well as an older audience and they work very well together.

Daniel Craig is clearly being compared as the new Harrison Ford and that's certainly no false accolade. Debatably, one may say that Craig brings a little more acting weight to the leading man role but in his later years Ford has certainly settled into a particular type of role and revels in it. As seen in Morning Glory, where he played a grizzled, grouchy former news anchor, here he plays a grizzled, grouchy former Colonel turned cattle rancher. As in his most famous roles as Han Solo and Indiana Jones, you'd never mess with him and as his career has progressed Ford is starting to use that 'don't mess with me' stare and attitude that Clint Eastwood patented, making him the die-hard elder statesman in Hollywood and he's doing it well.

Besides the cast of mismatched men, a woman is brought into the mix, Ella (Olivia Wilde; Tron: Legacy, TV series House) as an almost more mysterious character than Jake. The cast play off each other well, particularly whoever Craig is partnered with at the time, albeit with varying screen time for them. Craig and Ford's time is scarce but together when it counts and Sam Rockwell is woefully underused but it seems the Western aspect is very carefully crafted to really give the feel for the genre and that's what counts. The problem is the aliens. As soon as this world is brought in it shatters the illusion of the world way back West and it almost feel like an afterthought in a well structured story. The reasons for the alien invasion are vague, as are many of the other plot points in the movie and that's a shame because for what Cowboys and Aliens promised in scale it lacked in finesse.

Not really being the blockbuster it was meant to be, Cowboys and Aliens feels like the big disappointment of the summer, for all the fun of seeing Daniel Craig and Harrison Ford as cowboys the lack of a direction for the movie lets it fall flat. There are a few too many clichés on the alien plotline that make the audience care less about that and more about the cowboys and too much of that seems borrowed from other, more successful movies. At the end of the day, when the cast rides off into the sunset, maybe if they do come back maybe it would be better if they came back without the aliens.

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